The South Wind Pennywhistle Story
At the turn of the millennium, the South Wind Whistle Manufactory was no more than a notion. In the year 2000 C.E. (Celtic Era), Thomas discovered the pennywhistle, quite by accident, while surfing for construction details of the simple bamboo whistles that his father would make for him so long ago when Thomas was not but a wee tot.
From that one serendipitous pennywhistle encounter, the resurfacing of an early fascination with wind instruments swiftly churned into a swirling Charybdis. Love-at-first-sight for the pennywhistle sailed straight into an inescapable vortex of delight.
As with any lovers, Thomas and the pennywhistle have had their (rarely fair) share of quarrels, sulking, shrieking, moaning, etc. over the years. But they stuck together. In 2004, the blossoming of their relationship gave birth to the production prototype of the South Wind pennywhistle.
That fateful summer while he attended Celtfest 2004 on Vancouver Island, B.C., Thomas was privileged to engage in his first pennywhistle playing lessons with a consummate musician, teacher, whistle maker and elf by the name of Sandy Jasper. A personally guided tour of Sandy’s Elfsong pennywhistle factory in Ladysmith, B.C., inspired Thomas to try the pennywhistle making craft himself.
Despite Thomas’s nearly-half-century of handcrafting everything from horse harnesses to houses, early versions of the South Wind pennywhistle proved to perform less than satisfactorily. A design breakthrough came when Thomas chanced upon a lonely David O’Brien pennywhistle at auction. Certain construction details at once made perfect sense.
Thomas revisited the pennywhistle fipple designs of his Michael Burke pennywhistles as well as a recently acquired blackwood beauty made by Chris Abell. After considerable experimentation, refinement and tweaking, the resulting pennywhistle design has exceeded our highest expectations.
"Steal from the best," or "we stand upon the shoulders of giants" may come to mind at this juncture. Yet, Thomas has arrived in the craft with his own unique blend of experience and desire. Toss in a strong sense of organic history, a love of Celtic traditional music, a touch of magic and a wish that every South Wind pennywhistle might radiate a little joy through those who play it and those who hear it.
In the South Wind pennywhistle, Thomas has melded metal-craft with the carved fipple blade design of a wooden pennywhistle to create a rich, mellow tone. Thick-wall copper tubing enhances the warm timbre, resonating a husky voice often mistaken for that of a wooden flute.
A curved wind-way follows the contour of the fipple blade, reducing air requirements as well as air noise. The curve also reduces moisture-related clogging, although Thomas can clog any known whistle with spit, given half a chance. (Don’t worry *grin* , your pennywhistle will be thoroughly cleaned, sanitized, waxed and polished after testing and prior to shipping…)
There are many fine and various instruments made today that fall under the category of “pennywhistle”. And there are many rightfully proud pennywhistle crafters. Our own whistle maker, Thomas, still proudly displays his personal pennywhistle collection and secretly lusts after seductive new prospects.
So, where does the South Wind pennywhistle fit in? Why another pennywhistle? (Anyone afflicted by WhOA please put your hand down!)
We believe the South Wind pennywhistle fills a needy niche in the pennywhistle market. The field is crowded with the cheap pennywhistle, the expensive pennywhistle imitating the cheap pennywhistle, the expensive pennywhistle imitating the expensive pennywhistle, the expensive pennywhistle imitating nothing at all, the ultra-high-tech pennywhistle, the plain plumber’s pennywhistle, the exquisitely-appointed pennywhistle, et al...
Priced at the low end of high-end whistles, each South Wind pennywhistle is carefully handcrafted, then tested and tweaked and retested before earning the South Wind label.
Persnickety pennywhistle-for-a-penny players may be hard-pressed to endure the mellow flute-like voice of our pennywhistle. Still, there’s plenty of chiff and pop lying just beneath the surface; speed enough for even the fastest fingers; the sound of wood at the price of copper; the South Wind pennywhistle. We think you will agree.
Please visit Peregrine Druid on MySpace for a taste of original folk music with a splash of Pagan filk. ©2007 by Thomas Hubbard, all rights reserved
|
||||||||